Current

Whisper Down the Lane –
Luzia Cruz

Luzia Cruz, Hände waschen nicht vergessen, 2025, Courtesy die Künstlerin

Luzia Cruz, Hände waschen nicht vergessen, 2025, Courtesy the artist


Whisper Down the Lane –
Luzia Cruz

1 May – 3 August 2025
Kunsthaus foyer


Luzia Cruz constructs immersive, site-specific environments that poetically disrupt mechanisms of power. In the context of the exhibition series Whisper Down the Lane, she presents her new installation Händewaschen nicht vergessen (Engl. Do not forget to wash your hands) (2025). The site-specific, wall spanning installation uses the Kunsthaus foyer as a place where boundaries become blurred to provoke reflections on the dualities of play and destruction, healing and harm. At the centre is a brightly coloured, enlarged image of a dart-poison frog. Chemicals from its skin are used to produce a pain killer that is more potent than morphine yet dangerously close to a lethal substance. This ambiguity extends into the artist’s use of plastic seats, modeled after toy gun bullets and genetically modified organisms – bright orange and mass-produced. Fiction and play become entry points into broader questions relating to how symbols of economic, cultural and technological power shape collective memory and political narratives tied to comfort and happiness.

In the experimental and communicative exhibition format Whisper Down the Lane, the roles and functions of hosting and being hosted become fluid: in line with the eponymous children’s game, the exhibiting artists themselves choose the next person. With the project, the Kunsthaus transfers part of the curatorial responsibility to the artists themselves, with the aim of creating alternative institutional modes of access and rendering local network structures visible both in terms of personal ties and with regard to artistic approaches. So far, works by Jaewon Kim, Fritz Lehmann, Altay Tuz and Pia Pospischil have been shown as part of Whisper Down the Lane.


Luzia Cruz‘s (*1997) artistic practice spans multiple media, including sculpture, drawing, sound installation and video to create multi-layered works that reflect on themes such as necropolitics, comfort, failure, desire, productivity and guilt. She has held several scholarships, among them the artistic production grant from the Luso-American Development Foundation (2025) and the study grant from the Calouste Gulbenkian Foundation (2022-24). Her recent and upcoming exhibitions include Kunstraum Botschaft, Berlin (2024), Vorfluter, Berlin (2025) and Mono, Lisbon (2025). She lives and works in Hamburg.


Thu, 1 May 2025, 6–10 pm
Opening
in the context of Panorama XII with CILIA & Defetro

Over Land and Sea

Allora & Calzadilla, Louis d’Heudières & Nina Kuttler, Eliška Konečná, Teresa Solar Abboud

Image credits see below


Over Land and Sea
Allora & Calzadilla, Louis d’Heudières & Nina Kuttler, Eliška Konečná, Teresa Solar Abboud

5.4.–8.6.2025


The group show Over Land and Sea tells of the migrant history of humanity, its present and future. In a tension between the tangible and the mythical, the animate and the industrial world, the works on display point to the vulnerability of human beings and, simultaneously, their inherent ability to change and transform. They encourage a humanistic reflection on the way we live today.

In the exhibition hall of the Kunsthaus, a hybrid world unfolds, in which fiction and reality interfuse. At the centre are the monumental kayaks by Teresa Solar Abboud. They draw parallels between bones – parts of the locomotor system, carriers of tissue – and ships – vehicles of migration, conveyers of people and knowledge. Through the interplay with the video work by Allora & Calzadilla, the sound installation by Louis d’Heudières and Nina Kuttler as well as the bas-reliefs by Eliška Konečná, a web of associations arises that widens the subjects underlying the sculptures to include ecological, social and moral questions in a way which is both concrete and sensual.

Curated by Anna Nowak


Exhibition text


Accompanying programme

Fri, 4.4.2025, 7 pm
Opening
Introduction: Anna Nowak
DJ set: Laetizia

Wed, 16.4.2025, 7 pm
Nina Kalenbach in conversation with Eske Schlüters & Tillmann Terbuyken about the project Untitled History

Sat, 26.4.2025, 6 pm– 1 am
Long Night of Museums

Thu, 1.5.2025, 6–10 pm
Panorama XII with Louis d’Heudières, Nina Kuttler & Defetro
Opening Whisper Down the Lane

Sat, 10.5.2025, 1–6 pm
Symposium: On the Importance of Art for a Resilient Democracy

Thu, 22.5.2025, 3–6 pm
WE ARE OCEAN: Blaupause Hamburg
Project presentation and talk with Till Krause & pupils of Ida Ehre Schule

Fri, 23.5.2025, 7 pm
Atlantique (Mati Diop, 2019)
Film screening at Metropolis Kino

Mon, 26.5.2025, 7 pm
Seefeuer (Gianfranco Rosi, 2016)
Film screening at Metropolis Kino

Thu, 5.6.2025, 6–10 pm
Panorama XIII with Hannes Wienert & Naama

Fri, 6.6.2025, 7 pm
dépARTS im Gepäck:Artist talk with Katja Pilipenko & Maik Gräf
Results of the Paris Residency of Claussen-Simon-Stiftung
Moderation: Anna Nowak

Thu, 10. / 17. / 24.4.2025, 8. / 15. / 22.5.2025 & 5.6.2025, 5:30 pm
Alternative Harbour Tours
In cooperation with Hafengruppe Hamburg

Guided tours

Wed, 16.4.2025, 6 pm
with Jaana Heine

Wed, 7.5.2025, 6 pm
with Anna Nowak

Thu, 5.6.2025, 5:30 pm
with Hannah Köchy


Kindly supported by


Images 1, 3, 5, 7: Installation views Over Land and Sea, Kunsthaus Hamburg 2025, Photos: Antje Sauer
Image 2: Eliška Konečná, The Great Bath and The Great Feast, 2023, Courtesy Polansky Gallery, Prague / private collection Prague, Photo: Antje Sauer
Image 4:
Allora & Calzadilla, Raptor’s Rapture, 2012, Video still, Courtesy the artists and Galerie Chantal Crousel, Paris, © Allora & Calzadilla
Image 6: detail of: Eliška Konečná, The Great Feast, 2023, Courtesy Polansky Gallery, Prague / private collection Prague, Photo:
Jan Kolsk

Katharina Duve

My Hand Seeks the Way

Image 1-3: Installation view: Katharina Duve – My Hand Seeks the Way, Kunsthaus Hamburg 2024, Photos: Antje Sauer
Image 4: Nina Rippel, Der geflüsterte Film (film still)


Katharina Duve
My Hand Seeks the Way

From 4 April 2024
Kunsthaus foyer


Situated between the street and the exhibition space, the foyer of the Kunsthaus is a place of transition; a threshold where modes of perception shift and questions about accessibility become evident. Following on from that observation, the Hamburg-based artist Katharina Duve has designed a new work for the stairs of the space.

My Hand Seeks the Way (2024) draws on an experimental film by Nina Rippel from 1992, which deals with the richness of human sensory impressions based on the perceptual world of blind people. Quotes from Rippel’s Der geflüsterte Film (“The Whispered Film”), her text Das Nicht-Sichtbare als Evidenz – Betrachtungen einer filmischen Praxis (“The Non-visible as Evidence – Reflections on a Cinematic Practice”) as well as poetic reflections by Katharina Duve herself were flocked onto eight seating elements made from felt in Braille and black letter. Thus, the work invites people with and without visual impairments to engage in an exchange about the complexity of perception through touch. Because not seeing does not mean perceiving less, but rather referring to an alternative spectrum of perceptions.


 Katharina Duve (*1980, Schwerin, GER) works in the fields of film, costume and performance. She is part of the filmmakers’ group Auge Altona, a collaborator of the music group Deichkind and a member of the performance collective geheimagentur. Since 2022, she has been a professor of Time-based Media at HAW Hamburg. Her artistic works have been shown at the Falckenberg Collection (2023), the International Short Film Festival Oberhausen (most recently in 2022), the Tate Modern, London (2017) and Brut, Vienna (2017), among others. She lives and works in Hamburg.

Jil Lahr

Sticky Business

Installation view: Jil Lahr. Sticky Business, Kunsthaus Hamburg 2023, Photos: Antje Sauer


Jil Lahr
Sticky Business

From 11 November 2023
Kunsthaus Hamburg


Like in the cabinets of curiosities from the early phase of the museum history, Jil Lahr mixes objects of different origins and purposes to create space-related installations, drawing on an extensive collection. Removed from their original settings, the objects of global everyday life trigger new associations, which often reveal the bizarre and humorous nature of massproduced items. By taking them out of their conventional context of use, the artist addresses Western consumerism and refers to entertainment culture.

For the toilets of the Kunsthaus, Jil Lahr has developed the permanent installation Sticky Business. She intuitively redesigned the rooms using stickers that depict stones from her own archive. The natural objects, charged with personal memories, float in space and provide a wry commentary on the functional interior.