{"id":18845,"date":"2023-06-12T15:16:16","date_gmt":"2023-06-12T13:16:16","guid":{"rendered":"https:\/\/kunsthaushamburg.de\/vortrag-dekolonisierung-in-samischer-literatur-kunst-und-musik\/"},"modified":"2023-06-14T11:33:33","modified_gmt":"2023-06-14T09:33:33","slug":"vortrag-dekolonisierung-in-samischer-literatur-kunst-und-musik","status":"publish","type":"post","link":"https:\/\/kunsthaushamburg.de\/en\/vortrag-dekolonisierung-in-samischer-literatur-kunst-und-musik\/","title":{"rendered":"Lecture: Decolonization in S\u00e1mi Literature, Art, and Music"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-18842 img-fluid\" src=\"https:\/\/kunsthaushamburg.de\/wp-content\/uploads\/2023\/06\/Anne-Heith_NWL.jpg\" alt=\"\" width=\"1188\" height=\"798\" srcset=\"https:\/\/kunsthaushamburg.de\/wp-content\/uploads\/2023\/06\/Anne-Heith_NWL.jpg 1188w, https:\/\/kunsthaushamburg.de\/wp-content\/uploads\/2023\/06\/Anne-Heith_NWL-300x202.jpg 300w, https:\/\/kunsthaushamburg.de\/wp-content\/uploads\/2023\/06\/Anne-Heith_NWL-737x495.jpg 737w\" sizes=\"(max-width: 1188px) 100vw, 1188px\"\/><\/p>\n<p><span style=\"color: #999999;\">Left: SPEAKING BACK, Detail <em>Maadtegen vuelie (Song of the Root&nbsp;\/&nbsp;Der Gesang der Wurzel)<\/em>, 2019 by Sissel M. Bergh, Kunsthaus Hamburg, photo: Hayo Heye &nbsp;| right: Anne Heith<\/span><\/p>\n<hr \/>\n<div>\n<p><strong>Anne Heith:&nbsp;<em>Decolonization in S&aacute;mi Literature, Art, and Music<\/em><\/strong><br \/>\nThursday, 22&nbsp;June&nbsp;2023, 7 pm<br \/>\nKunsthaus Hamburg<\/p>\n<p>Free admission.<br \/>\nCurator Katja Schroeder guides through the exhibition at 6 pm.<br \/>\nThe lecture will be held in English.<\/p>\n<hr \/>\n<p>Literature specialist Anne Heith will give examples of how&nbsp;anticolonial resistance connected with the International Movement of Indigenous Peoples and Postcolonial currents influences contemporary S&aacute;mi writers and artists in processes of decolonization.<\/p>\n<p>The title of S&aacute;mi artist Sofia Jannok&rsquo;s album from 2016, <em>ORDA &ndash; This is My Land<\/em>, for example,reflects present day S&aacute;mi resistance to colonialism which has deprived the S&aacute;mi of their traditional land. This kind of resistance has become increasingly visible in S&aacute;mi culture during the last decades. It can also be found in the&nbsp;poetry and photo book&nbsp;<em>The Sun, My Father <\/em>by&nbsp;Nils-Aslak Valkeap&auml;&auml; (&Aacute;illoha&scaron;) that was&nbsp;published 1988 in S&aacute;mi and explicitly addresses how colonialism has affected S&aacute;mi people. In his role as a poet, yoik artist, musician, painter, S&aacute;mi politician and activist he also got influenced by the Alta dispute*&nbsp;in Norway in 1979-1981, which is of major importance for S&aacute;mi anticolonial struggle.<\/p>\n<p>Anne Heith is associate professor in Comparative Literature. Her latest books are&nbsp;<em>Laestadius and Laestadianism in the Contested Field of Cultural Heritage: A Study of S&aacute;mi and Tornedalian Texts<\/em>&nbsp;(2018),&nbsp;<em>Experienced Geographies and Alternative Realities: Representing S&aacute;pmi and Me&auml;nmaa&nbsp;<\/em>(2020), and&nbsp;<em>Indigeneity, Ecocriticism, and Critical Literacy<\/em>(2022). Research interests include migration and literature, postcolonial studies, S&aacute;mi and Tornedalian literature, indigenous studies, critical race and whiteness studies, and place-making.<\/p>\n<p>* The Alta conflict unfolded between 1968 and&nbsp;1982. The Sa&#769;mi stood together with environmental activists and protested against the extension plans for hydropower in Finnmark, northern Norway. Even if they did not succeed to stop the hydropower plants, their protests had a huge impact on Sa&#769;mi politics in Norway. (Source in German: Wikipedia)<\/p>\n<\/div>\n<hr \/>\n<p>The project is funded by:<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignleft img-fluid pull-left\" src=\"https:\/\/mcusercontent.com\/87222789165753245b413bad4\/images\/67619909-0209-d837-0aae-cc7bc21c3cd8.jpg\" width=\"500\" height=\"96\" data-file-id=\"5573772\"\/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the context of SPEAKING BACK<\/p>\n","protected":false},"author":3,"featured_media":18843,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"none","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","inline_featured_image":false},"categories":[13],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/kunsthaushamburg.de\/en\/wp-json\/wp\/v2\/posts\/18845"}],"collection":[{"href":"https:\/\/kunsthaushamburg.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kunsthaushamburg.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kunsthaushamburg.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kunsthaushamburg.de\/en\/wp-json\/wp\/v2\/comments?post=18845"}],"version-history":[{"count":5,"href":"https:\/\/kunsthaushamburg.de\/en\/wp-json\/wp\/v2\/posts\/18845\/revisions"}],"predecessor-version":[{"id":18858,"href":"https:\/\/kunsthaushamburg.de\/en\/wp-json\/wp\/v2\/posts\/18845\/revisions\/18858"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kunsthaushamburg.de\/en\/wp-json\/wp\/v2\/media\/18843"}],"wp:attachment":[{"href":"https:\/\/kunsthaushamburg.de\/en\/wp-json\/wp\/v2\/media?parent=18845"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kunsthaushamburg.de\/en\/wp-json\/wp\/v2\/categories?post=18845"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kunsthaushamburg.de\/en\/wp-json\/wp\/v2\/tags?post=18845"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}