{"id":17442,"date":"2022-08-22T14:36:59","date_gmt":"2022-08-22T12:36:59","guid":{"rendered":"https:\/\/kunsthaushamburg.de\/?p=17442"},"modified":"2022-09-08T14:20:08","modified_gmt":"2022-09-08T12:20:08","slug":"mineral-performances","status":"publish","type":"post","link":"https:\/\/kunsthaushamburg.de\/en\/mineral-performances\/","title":{"rendered":"Mineral Performances"},"content":{"rendered":"<div class=\"swiper\"><div id=\"swiper-69d3a8e88b62e\" class=\" swiper-container\"><div class=\"swiper-wrapper\">          <div class=\"swiper-slide swiper-slide\"><div class=\"swiper-slide-content\">            <img src=\"https:\/\/kunsthaushamburg.de\/wp-content\/uploads\/2022\/08\/unnamed-file-780x520.jpg\" title=\"\" alt=\"\" class=\"img-fluid\"\/>\n          <\/div><\/div>          <div class=\"swiper-slide swiper-slide\"><div class=\"swiper-slide-content\">            <img src=\"https:\/\/kunsthaushamburg.de\/wp-content\/uploads\/2022\/08\/NikDreck-780x520.jpg\" title=\"\" alt=\"\" class=\"img-fluid\"\/>\n          <\/div><\/div>          <div class=\"swiper-slide swiper-slide\"><div class=\"swiper-slide-content\">            <img src=\"https:\/\/kunsthaushamburg.de\/wp-content\/uploads\/2022\/08\/IMG_5731-780x520.jpg\" title=\"\" alt=\"\" class=\"img-fluid\"\/>\n          <\/div><\/div><\/div><div class=\"swiper-pagination\"><\/div><div class=\"swiper-button-next\"><\/div><div class=\"swiper-button-prev\"><\/div><\/div><\/div><script type=\"text\/javascript\">\/\/<![CDATA[\n(function($, window) {\n\t$('#swiper-69d3a8e88b62e').swiper({\"pagination\":\".swiper-pagination\",\"paginationClickable\":true,\"nextButton\":\".swiper-button-next\",\"prevButton\":\".swiper-button-prev\",\"scrollbar\":false,\"loop\":true,\"before\":\"<div class=\\\"swiper\\\">\",\"after\":\"\",\"autoplay\":\"8000\"});\n})(jQuery, window)\n\/\/]]><\/div><\/script>\n\n<hr \/>\n<p><strong>Mineral Performances<\/strong><br \/>\nThursday, 15&nbsp;September 2022, 6 pm<\/p>\n<p><strong><em>Tsarab m&acirc;s (Dust&rsquo;s Standing)&nbsp;<\/em><\/strong><br \/>\nPerformance by&nbsp;Xhoes<\/p>\n<p>Prior:&nbsp;<em>Null (Mars &amp; Moon) <\/em><br \/>\nDry ice performance&nbsp;by&nbsp;Peter Thiessen, Nikola Duric and&nbsp;Ruth May<br \/>\nwith Garth Erasmus and&nbsp;Glen Arendse<br \/>\nSound: Peta Devlin<\/p>\n<p>Kunsthaus Hamburg<br \/>\nFree admission.<\/p>\n<hr \/>\n<p><em>The notion of dust standing &ndash; could be an indication &ndash; or perhaps, a call &ndash; to create tension, excitement or movement so impactful or dramatic, it obscures vision and breaks ground.&nbsp;<strong>Tsarab M&acirc;s&nbsp;(Dust&rsquo;s Standing)<\/strong>&nbsp;finds itself as a confrontation or intersection between future isms, the chronicles of adulting, behaviors, skin care, actions,&nbsp;the caucasity of patriarchy, the&nbsp;politics&nbsp;of twerking and the invasive nature of past&rsquo;s-presence and eating cake inbetween it all. As we are stirred &ndash; in dance, toward our origin &ndash; surrounded by the chants of winds through grains and a growth of sorts from under our soles, from around and within, a voice manifests, announces &ndash; demands, even &ndash; in repetition, &ldquo;ab tsaraba ma, ab tsaraba ma, ab tsaraba ma!&rdquo;. A call to remember and own the ability to shift and be still when we or the earth require, in order to fulfil our role in helping &ldquo;(our own) dust&nbsp; find a place to belong, to rest after&nbsp;tsarab m&acirc;s.<\/em><\/p>\n<p style=\"text-align: right;\">Nesindano Xhoes Namise &uuml;ber <em>Tsarab M&acirc;s&nbsp;(Dust&rsquo;s Standing)&nbsp;&nbsp;<\/em><\/p>\n<p><strong>Nesindano Xhoes Namise<\/strong>&nbsp;works, among other things, as a voice artist and explores with experimental sounds, as well as on &ldquo;aural narratives&rdquo; as a historical discipline.&nbsp;In her spoken word performances she deals with cultural memory processes, questions of restitution of the intangible and genderqueer issues.&nbsp;Namise is a poet. She combines her poems with Afro-folk-funk, neo-soul, vocals and acoustic guitar. Since 2010, she has co-organized <em>Spoken World Namibia<\/em>, a growing platform for performance poetry in Namibia.<\/p>\n<hr \/>\n<p>At the centre of&nbsp;<strong>Peter Thiessen<\/strong>&rsquo;s&nbsp;work is the relationship of sound and music to language.&nbsp;With the lyrics, he explores various states of the &ldquo;in-between&rdquo;, the ghostly, the spectral and the zombified.&nbsp;For&nbsp;<em>Sand !H&#363; Sand<\/em>&nbsp;he has developed a series of musical pieces dealing with the largest known pile of sand: the planet Mars.&nbsp;Using the materials occurring on Mars &ndash; sand, metal, dry ice and water &ndash; he has composed a speculative soundtrack in which the agency of inanimate matter becomes audible.&nbsp;Thiessen&nbsp;is the singer, songwriter and guitarist of the Hamburg band Kante and was the bassist of the band Blumfeld from 1997 to 2002.<\/p>\n<p><strong>Nikola Duric<\/strong> is a performer, scenic dramaturg and writer. He is part of the theater collectives Showcase Beat Le Mot and Sliders and curator of the Hamburg Krass Festival with a focus on migration.<\/p>\n<hr \/>\n<p>FURTHER EVENTS<\/p>\n<p><a href=\"https:\/\/kunsthaushamburg.de\/en\/guided-tours-3\/\" target=\"_blank\" rel=\"noopener\"><strong>Guided tours<\/strong><\/a><br \/>\nThursday, 22 September 2022, 6 pm<\/p>\n<p><a href=\"https:\/\/kunsthaushamburg.de\/en\/the-cosmology-of-the-bow\/\" target=\"_blank\" rel=\"noopener\"><strong>The Cosmology of the Bow<\/strong><\/a><br \/>\nSaturday, 17 September 2022, 2 pm<br \/>\nBow-making workshop (Garth Erasmus)<br \/>\nLecture:&nbsp;<em>Musical bow of the Khoisan&nbsp;<\/em>(Glen Arendse)<br \/>\nBow Ensemble Improvisation<\/p>\n<p><a href=\"https:\/\/kunsthaushamburg.de\/en\/sand-concert\/\" target=\"_blank\" rel=\"noopener\"><strong>Sand Concert<\/strong><\/a><br \/>\nSaturday, 24 September 2022, 8 pm<br \/>\nKhoi Khonnexion (Kapstadt)<br \/>\nKuru (Windhoek\/Berlin\/Hamburg) &ndash; Special Guest: Renu Hossain<br \/>\nKreidler (D&uuml;sseldorf\/Berlin)<br \/>\nSongs aus&nbsp;<em>The House of Falling Bones<\/em>&nbsp;(with members of Khoi Khonnexion &amp; Kante,<br \/>\nNik Duric, Ruth May,&nbsp;Xhoes)<\/p>\n<hr \/>\n<p>Kindly supported by<br \/>\n<img decoding=\"async\" loading=\"lazy\" class=\"alignleft img-fluid pull-left img-fluid pull-left img-fluid pull-left\" src=\"https:\/\/mcusercontent.com\/87222789165753245b413bad4\/images\/1ce9f6eb-c700-76e1-d652-5feb510dc72a.jpg\" width=\"100\" height=\"46\" data-file-id=\"5573261\" data-cke-saved-src=\"https:\/\/mcusercontent.com\/87222789165753245b413bad4\/images\/1ce9f6eb-c700-76e1-d652-5feb510dc72a.jpg\"\/>&nbsp; &nbsp;<img decoding=\"async\" loading=\"lazy\" class=\"alignleft img-fluid pull-left img-fluid pull-left img-fluid pull-left\" src=\"https:\/\/mcusercontent.com\/87222789165753245b413bad4\/images\/02c87ea3-3abb-6407-ee66-6d543178118f.png\" width=\"140\" height=\"46\" data-file-id=\"5573237\" data-cke-saved-src=\"https:\/\/mcusercontent.com\/87222789165753245b413bad4\/images\/02c87ea3-3abb-6407-ee66-6d543178118f.png\"\/><img decoding=\"async\" loading=\"lazy\" class=\"alignleft img-fluid pull-left img-fluid pull-left img-fluid pull-left\" src=\"https:\/\/mcusercontent.com\/87222789165753245b413bad4\/images\/316408b2-dd8b-8e29-723a-6b84b866e5ee.jpg\" width=\"150\" height=\"39\" data-file-id=\"5573241\" data-cke-saved-src=\"https:\/\/mcusercontent.com\/87222789165753245b413bad4\/images\/316408b2-dd8b-8e29-723a-6b84b866e5ee.jpg\"\/>&nbsp;&nbsp;<img decoding=\"async\" loading=\"lazy\" class=\"alignleft img-fluid pull-left img-fluid pull-left img-fluid pull-left\" src=\"https:\/\/mcusercontent.com\/87222789165753245b413bad4\/images\/9410c616-39d3-5b4f-c0d8-f5df32d2b287.jpg\" width=\"150\" height=\"28\" data-file-id=\"5573249\" data-cke-saved-src=\"https:\/\/mcusercontent.com\/87222789165753245b413bad4\/images\/9410c616-39d3-5b4f-c0d8-f5df32d2b287.jpg\"\/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the context of the exhibition<br \/>\nSand !H\u016b Sand<\/p>\n","protected":false},"author":3,"featured_media":17434,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"none","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","inline_featured_image":false},"categories":[13],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/kunsthaushamburg.de\/en\/wp-json\/wp\/v2\/posts\/17442"}],"collection":[{"href":"https:\/\/kunsthaushamburg.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kunsthaushamburg.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kunsthaushamburg.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kunsthaushamburg.de\/en\/wp-json\/wp\/v2\/comments?post=17442"}],"version-history":[{"count":8,"href":"https:\/\/kunsthaushamburg.de\/en\/wp-json\/wp\/v2\/posts\/17442\/revisions"}],"predecessor-version":[{"id":17573,"href":"https:\/\/kunsthaushamburg.de\/en\/wp-json\/wp\/v2\/posts\/17442\/revisions\/17573"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kunsthaushamburg.de\/en\/wp-json\/wp\/v2\/media\/17434"}],"wp:attachment":[{"href":"https:\/\/kunsthaushamburg.de\/en\/wp-json\/wp\/v2\/media?parent=17442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kunsthaushamburg.de\/en\/wp-json\/wp\/v2\/categories?post=17442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kunsthaushamburg.de\/en\/wp-json\/wp\/v2\/tags?post=17442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}